Sunday, August 30, 2009
Weaving Wasps and Horned Hornets
Some people have asked Madame Beespeaker, "What is the difference between a wasp an a hornet?" I usually mumble something, like, "I'm the wrong person to ask. I haven't got a clue," and then change the subject to bees or breakfast. I finally found the guy who answered the question for me in the comments section of his recent post on his blog The Home Bug Garden. He lives in Edmonton and he gardens for bugs, and his wife takes photos of them! Cool. I am very excited to be going to Edmo in September to a performance art festival because I'm going to visit the Bug Room at the Royal Alberta Museum. As well as eat perogies. Yum. Anyway, here is the link: Biodiversity Gone Bad: Hornets in the Home Bug Garden.
Saturday, August 29, 2009
Pulling Up Roots at the MOP Bee Garden
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Thursday, August 27, 2009
Corn is in the Silk Moon
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It's the month of ripe plums (Shawnee), black cherries (Assiniboine) and black berries (Wishram) staining our fingers and lips. The silk tassels on top of the corn husk are turning brown (Ponca), signalling the corn is ripe for the picking (Algonquin). While this year's geese are beginning their first migration (Cree), summer is coming to a close (Kalapuya.) The Hopi consiser this month of abundant harvest the Month of Joyful, or Month of Life at it's Height. It's the month where we all reap what we have sown, humbled by the luck of the forces of nature that helped or hindered your work along the way. For some, it is a joyful month, for others who have had a cold dry summer, it is one of the most bitter.
EYA Beekeeping Interns
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This year the Environmental Youth Alliance is hosting a program at the MOP community bee hive that teaches youth how to be urban beekeepers. The instructor is Brian Campbell, who is currently available to answer your beekeeping or general bee-related questions care of West Coast Seeds: info(at)westcoastseeds.com.
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Tuesday, August 25, 2009
Beespeaker 100
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Hey, it's time to celebrate Madame Beespeaker's 1ooth post for this blog! Woot! I am so happy to have this seasonal diary as a template for future adventures in beespeaking and urban beekeeping. Using this diary, I'll be able to write a more in-depth blog in the next couple of years. I am planning to continue working as Madame Beespeaker, creating some more community art projects and art education projects while expanding my use of materials and performance methods. At the same time I will branch off into a who new shoot of work involving moths. I've turned into such an insect nerd! (My child hood was all about rocks, but that's another story.)
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Creating this bee garden at MOP with my helpers has been such as incredible privilege. I just picked up a lovely book by Jim Nollman called Why We Garden: Cultivating a Sense of Place. (Yes, it's the guy who talks to whales--we must be kindred spirits.) Why garden? This about sums it up: "With a lot of tender loving care, good landscaping design, and savvy plant knowledge, most everything a human being needs in this world--including food, comfort, museum, university, social clubhouse--will be there for foraging." (pg. 58) It's this sense of self-containment that I find so satisfying. I enjoy the garden as gesamtkunstwerk. I like the semi-privacy of my back yard garden, but also the social nature of the MOP as a community garden. As a transplant from the prairies, gardening in both private and shared spaces helps me feel anchored and rooted, and gives me the sense of belonging I pine for.
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Saturday, August 22, 2009
The Opening of the Sedum
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Growing Home
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Thursday, August 20, 2009
Is it a Seahorse?
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I took a quick tour of the market and bought a bag of cape gooseberries from Klipper's Organic Acres and a chocolate pecan loaf from the Simple Pleasures lady. After a savoury crepe for my dinner, I was of out of cash myself. No sunflower sprouts for our salad. Darn! By the time the market was wrapping up I was sad it was over. A sense of camaraderie had just begun to develop. A couple of people asked if I'd be back next week. I kind of wish I was.
Monday, August 17, 2009
Gather Florets While Ye May
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On Saturday I had a helper in the garden. K and I harvested the florets from sunflower heads that had either fallen and broken, or were in that post-pollination stage where the florets were just ready to fall off and expose the achenes. Luckily K was tall enough to reach some of the highest sunflowers that were out of my reach. We want to leave most of the sunflowers to ripen and dry in the sun to feed the birds and create a sculptural element in the winter garden. I also trimmed a few sunflower leaves back to give the beans growing up the stalks a bit more light. K harvested about eight pods of Cherokee Trail of Tears Beans. The plants will flourish now that the weather has cooled off a bit.
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I harvested some cerinthe and buckwheat seeds. I noticed that the dragons' head plants smell like lemon balm, so I harvested some to take home and dry for tea. The sun peeked out once or twice, and it was a perfect morning to dig in the dirt and reach for the sun(flowers).
Thursday, August 13, 2009
Yaletown Afternoon
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Next, I went to the Artstarts Gallery to see the exhibition where some of the art created by the students I worked with at Graham Bruce Elementary. I'm happy to see there are photos of the process so you can get an idea of the interdisciplinary nature of the residency. I zig-zagged down the hill to the CAG and enjoyed the work in Sentimental Journey. So many of the contemporary pieces in Vancouver galleries have become dry and antiseptic; it was refreshing to see some work using found objects, and a warm, humorous and at times poignant aesthetic. My favorite piece was by Gareth Moore: The Road Through the Forest by Lyman A. William. It was almost like an epitaph in a vitrine. I like the elements of theatrics--costumes and props that help you construct the fiction of a hobo's life.
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The rest of the show is Robin's work made using sewing notions. It is delicate, sensitive and obsessive. (Wow, there are a lot of knots!) My friends had joined me at this point and we were all drawn to the white buttons spilling out of a tiny box--bony, bubbly and almost frozen in mid-action. The other piece we were drawn to was the one with all the knots which hung like a gothic version of a weaver bird's nest. I'm really glad we got to see the show and it's on until September 5--highly recommended. The curator was very approachable and friendly.
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